100% to women artists
Original mixed media: acrylic and photography on fine art baryta paper, color, body, women , immigration, identity,, Cream /…
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Fragments of Pain

2025

Medium: mixed media: acrylic and photography on Fine Art baryta paper, color,
Material: acrylic and photography on Fine Art baryta paper, color,
Size: 19.7 in × 25.6 in × 2.0 in
Edition: Unique / One-Off
Orientation: vertical
Framed · Ready to hang

$5,080

Shipping from GB · Free domestic · $191 international

Condition reports and provenance available upon request.

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100% of the price goes to the artist — zero commission

About this work

This series depicts a body partially wrapped in medical bandages within a desert landscape. Functioning both as devices of care and instruments of constraint, these bandages embody the tension between injury and the attempt to heal, revealing the vulnerability inherent in the experience of exile. The images are constructed through layers of visual elements: bandage textures, fragments of scars, and references to Iran are interwoven across the photographic surface. These overlapping strata create a fragmented perception in which memory appears unstable, shaped by rupture, displacement, and loss.

About the artist

Parya Vatankhah is a French-Iranian multidisciplinary visual artist whose work explores exile, memory, the body, and political resistance. Through photography, performance, video, and installation, she creates powerful visual narratives that question identity, freedom, and the resilience of women facing oppression.

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Shipping & returns

  • — Ships worldwide from the artist's studio with tracked delivery.
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§ About the artist

Parya Vatankhah

Parya Vatankhah

Paris, France

Parya Vatankhah is a French-Iranian multidisciplinary visual artist whose work explores exile, memory, the body, and political resistance. Through photography, performance, video, and installation, she creates powerful visual narratives that question identity, freedom, and the…

§ More from this artist

Other works by Parya Vatankhah.

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